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Untitled (Oscar Wilde), Photo-etching, on wove paper, the full sheet, S. 11.5 x 16 cm, Félix Gonzáles Torres, 1995.
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St. Katharina, Plaster with black pigment, Katharina Fritsch, 2004.
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Crystal World, Cast bronze with heat-treated chrome patina, Marc Quinn, 2008.
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Necklace pendant, Brass and concrete silver, Design by Courtney and Tara Neray, 2013.
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Heide II Residence for John and Sunday Reed, McGlashan and Everist Architects, 1963.
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Box Chair Square 1 and 2 after Scott Burton, Design by ROLU, 2010.
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He goatan! with stool, Studio Stool designed by Alessandro Gnocchi, Photography by Francesca Ferrari, 2013.
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Tack board covered with source imagery in Robert Rauschenberg’s Captiva Island, Florida, studio, 1978.
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Graceful Degradation, Welded iron, stainless steel and brass, 40 x 270 cm, Stéphanie Saadé, 2013.
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Structure 3 (Suspended Horizon), Mixed media (chrome structure, photograph), 170 x 100 x 50cm, Stéphanie Saadé, 2012.
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Peter Saville for Y-3, Spring-Summer Collection, 2014.
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Giulietta Masina & Richard Besehart, Il Bidone by Federico Fellini, 1955.
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Egg on plate, Gelatin silver print, 10.7 x 16 cm, JoseF Sudek, 1961.
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Alphabets, Design by C. Roeleveld and B. Niznik, Klaimco, Printed by W-K, 2011.
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The Chatham Series, Ellsworth Kelly, 1970.
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Sunday Cologne, Byredo.
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Man Machine Glass Furniture, Konstantin Grcic, Galerie Kreo, 2014.
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Joseph Pschorr Haus building (Munich), Kuehn Malvezzi Architects, 2013.
Hybrid The commercial building, which was completed in October 2013, is a hybrid of two different building typologies. On the one hand, the building follows the historic model of a mixed-use building, with the retail functions on the lower two floors and apartments on the top floor which, in this case, has been extended to […]
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Ren Hang.
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Untitled, Installation, Robert Morris, 1968-69.
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Elote Clasificado, Damián Ortega, 2015.
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Untitled (Stairs), Rachel Whiteread, 2001.
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Untitled, 75 Styrofoam cups painted by hand with acrylic paint, glue, Tom Friedman, 2002.
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Printed & Embroidered Textiles by Nathalie Du Pasquier, Wrong for Hay, 2013.