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Call To Post (Violet), Installation view, Constantina Zavitsanos, Whitney Museum, New York, 2019-2024.
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Art deco candleholder, ashtray and matchbox holder, Designed by Paul Haustein, (WMF),1920.
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Cirrostratus map, Watercolor by Andhré des Gachons, February 20, 1916.
he geographical coordinates given seem to use Paris as the prime meridian (2.33723° east of Greenwich) as on maps of the time. There is also an error in the latitude, which is actually 48° 50′ North and not 40° 50′. “At the exact point of the intersection of the meridian and the parallel” therefore refers […]
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“Bull”, Photography by Hugh Holland, Redondo Beach, California, USA, July 1975.
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Installation view, Vivian Suter, Seoul, 2022.
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Turn Me On, Klara Klara Lidén, Installation view at Sadie Coles HQ, London, 2020.
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Reviving the bear (2022), Oil on linen, Florian Krewer, 260.5 x 210 cm, 2022.
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Furni exhibition view, Issy Wood at Carlos/Ishikawa, 2023.
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Extra Life, Performance by Adèle Haenel, Theo Livesey and Katia Petrowick,Choreography by Gisèle Vienne, Photography by Estelle Hanania, 2023.
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Extra-life, Performance by Adèle Haenel, Choreography by Gisèle Vienne, Photography by Estelle Hanania, 2023.
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Åsa Johannesson.
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Metal series, Design by Marianne Brandt, Photography by Lucia Moholy, 1924.
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a.d.S. TV Story, Photography by Elfie Semotan, New York, 2003.
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Marfa 12, Photography by Elfie Semotan, 2016.
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Untitled, Photography by Elfie Semotan, New York, 2016.
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Untitled, Oil on aluminum, Dike Blair, 2018.
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Bullfighter (with one other Bullfighter), Acrylic, polyethylene, copper, and steel hardware, Ragen Moss, 2019.
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Pier Photographs series, Gelatin silver print, Photography by Alvin Baltrop, 1977.
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Jakob Eilinghoff, Sex performance view, Anne Imhof, Castello di Rivoli, Turin, 2021.
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Recollections of a Visit to Leningrad, Oil on canvas, 185.4 × 213.4 cm, Richard Diebenkorn, 1965.
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Female Dancer, Earthenware with slip and pigment, China, 2nd century BCE.
This figure vividly captures the moment when, with one long sleeve thrown back and the other trailing down, a dancer gently stoops and flexes her knees as she lifts one heel to advance her step, performing a dance described in Han dynasty poetry: “Their long sleeves, twirling and twisting, fill the hall; Gauze-stocking feet…taking mincing […]
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Miniature incense burner, Jun ware, Stoneware with blue glaze, 4.4cm, 2th–13th century.
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Bird-shaped vessel, Earthenware, Three Kingdoms period, Korea, 3rd century, 57 BCE–676 CE.
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Jar, Earthenware with incised decoration, Yayoi period, Japan, ca. 300 BCE–ca. 300 CE.