Terribly Wrong, Monoprint on paper, 58 x 81 cm, Tracey Emin, 1997.

Eclipse, Installation, 60 x 60 x 80 cm, Giulio Paolini, 1986.

Vague Pure Affection, Carol Bove, 2012.

Wood and steel shelves, paper, brass, concrete, and acrylic. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the International Director’s Council 2012.125 © Carol Bove. Photo: Courtesy Maccarone Gallery.

Today my mother died, from the series: Les Autobiographies, Sophie Calle, 2013.

Weltempfänger (World Receiver), Concrete, steel, and metal radio antennas, Isa Genzken, 1987–89.

Genzken’s concrete Weltempfänger imbue forms with narrative content through a minimum of means. With the simple addition of chrome antennas, blocks of concrete become multiband radio receivers. “My antennas were also meant to be ‘feelers’—things you stretch out to feel something, like the sound of the world and its many tones,” Genzken said. She created […]

Fountain Bottle 0.7, Design by Laura Jungmann, SameSame, 2013.

Sketch of CH24 Wishbone Chair, Hans J. Wegner, 1950.

Patti Smith, 1957.

Vase Medusa, Ettore Sottsass, Made by Venini, 2008.

Vase Battuto, Carlo Scarpa, Made by Venini, 1940.

Brooch, Whitened silver, stones, laquer, Anton Cepka, 1969.

Brooch, Whitened silver, partly laquered, Anton Cepka, 1933.

Kunstader, Chalcedony Jewelry, Deborah Rudolph.

Fresh Fresher Book, Jane Simpson, Published by Other Criteria, 2002.

Fresh Fresher is a monograph on the work of British artist Jane Simpson. It is a celebration of her career since 1992 when, while still a student, she first experimented with the use of ice and her now trademark refrigeration technique. Rather than following a strict chronology, the book surveys Simpson’s work thematically, punctuated by […]

Open, Sculpture, Roman Ondák, 2015.

Untitled (White Flower), Agnes Martin, 1961.

Untilted, Alive entities and inanimate things, made and not made, Pierre Huyghe, 2011-12.

Portrait of Karl Zakovsek, Oil on canvas, Egon Schiele, 1910.

Kate Moss, 1988.

Technical Porcelain, Produced by Crown Lynn Technical Ceramics Limited, 1940 – 1980.

Sarah Lucas Exhibition view, British Council, Biennale di Venezia, 2015.

From 9 May until 22 November 2015 www.britishcouncil.org/visualarts

Gravity Series, Photography by Francesca Ferrari, 2015.

Nusch Eluard & Sonia Mosse, Photography by Man Ray, 1938.

Special edition of the vinyl print Squeezable, Cahiers D’art 2014.