Incomplete Open Cube No.5-6, Paint on Aluminum, 108 x 108 x 108 cm, Sol Lewitt, 1974.

The Nakeds Exhibition catalogue, 24 x 16 cm, Edited by Mary Doyle and Kate Macfarlane, 2014.

This book accompanies group exhibition, The Nakeds, which is devoted to drawings of the body exposed. The Nakeds takes as its starting point selected drawings of the single figure by Egon Schiele. From here it considers work by artists from the post-war period to the present day. The naked body is frequently the physical terrain […]

Terminal 1, Appliquéd blanket, 230 x 210 cm, Tracey Emin, 2000.

Meet Me in Heaven I Will Wait For You, Tracey Emin, 2004.

Self portrait, Watercolor and pencil on paper, 44 × 30,5 cm, Egon Schiele, 1910.

Still and photo from ”Water knows nothing (and yet)” film by Sanja Pupovac, Milan, 2014.

sanjapupovac.com

Outboard Swaddle (Studies from Venice), Photography by Bjarne Bare, Fondazione Bevilacqua La Masa, Venice 2014.

Earth after the fall of man, Selenium toned Silver Gelatin photographic print, 89 x 78.5 cm, Gerard Byrne.

Donald Judd & Sol LeWitt Exhibition Poster, Lisson Gallery, 1971.

Mirror Check, Performance by Joan Jonas, 1970.

Rooted Rhetoric – Exhibition view at Castel dell’Ovo, Napoli, 1986.

Courtesy Galleria Lia Rumma. www.liarumma.it

Bitch, Sarah Lucas, 1995.

Mungo Thomson.

www.mungothomson.com

Movement Study 3 (base), Wood, brass, wax, steel and rubber, Mary Hurrell, Dimensions variable, 2014.

Anton Krasovsky & Alan Turing, Ink on paper, Marlene Dumas, 44 x 35 cm, 2014.

O melhor amigo do arquiteto sem medidas, Wooden measuring tape, Milton Machado, 46 × 29 cm, 1980 – 2013.

Thom Atkinson’s Photography, Installation by Shaz Madani for The Wellcome Trust.

Incubus, Alkyd paint on Formica, 2389 x 3846 mm, Garry Hume, 1991.

ncubus is a large, glossy pink painting on five, closely abutting Formica panels. The panels were cut to measurements taken from hospital doors. They are configured to suggest the outline of three, adjacent, life-sized doors. Paler pink, rectangular areas stand out from the background darker pink, delineating panels within the doors. Ridges of paint at […]

The Bride Stripped Bare by her Bachelors Even (The Green Box), Cardboard box, colour plate and 94 lithographs, collotypes and ink on paper, Marcel Duchamp, 1934.

Spatial Relief (red) REL 036, Polyvinyl acetate resin on plywood, Object: 625 x 1480 x 153 mm, 15 kg, Hélio Oiticica, 1959.

The Longest Cyanotype in the World, Thomas Mailaender, 2013.

Insomnia, Ink and pencil on music paper 30.5 x 22.9 cm, Louise Bourgeois, 1995.

Drawings.

Rachel Whiteread & Edward Hopper. Sol LeWitt & Christo. Beka Goedde & David Hockney. Ellsworth Kelly & Louise Bourgeois

New Hoover Convertibles, Green, Blue, Double-Decker, Jeff Koons, 1981-87.