Weltempfänger (World Receiver), Concrete, steel, and metal radio antennas, Isa Genzken, 1987–89.

Genzken’s concrete Weltempfänger imbue forms with narrative content through a minimum of means. With the simple addition of chrome antennas, blocks of concrete become multiband radio receivers. “My antennas were also meant to be ‘feelers’—things you stretch out to feel something, like the sound of the world and its many tones,” Genzken said. She created […]

Vase Medusa, Ettore Sottsass, Made by Venini, 2008.

Brooch, Whitened silver, stones, laquer, Anton Cepka, 1969.

Brooch, Whitened silver, partly laquered, Anton Cepka, 1933.

Fresh Fresher Book, Jane Simpson, Published by Other Criteria, 2002.

Fresh Fresher is a monograph on the work of British artist Jane Simpson. It is a celebration of her career since 1992 when, while still a student, she first experimented with the use of ice and her now trademark refrigeration technique. Rather than following a strict chronology, the book surveys Simpson’s work thematically, punctuated by […]

Open, Sculpture, Roman Ondák, 2015.

Untitled (White Flower), Agnes Martin, 1961.

Untilted, Alive entities and inanimate things, made and not made, Pierre Huyghe, 2011-12.

Portrait of Karl Zakovsek, Oil on canvas, Egon Schiele, 1910.

Sarah Lucas Exhibition view, British Council, Biennale di Venezia, 2015.

From 9 May until 22 November 2015 www.britishcouncil.org/visualarts

Nusch Eluard & Sonia Mosse, Photography by Man Ray, 1938.

Special edition of the vinyl print Squeezable, Cahiers D’art 2014.

Sculptures by Peter Schlesinger, Limited Edition by Acne Studios.

Le portrait, Oil on canvas, 73.3 x 50.2 cm, René Magritte, 1935.

Ametsuch Series, Photography by Rinko Kawauchi, 2012.

Untitled, Silver gelatin print, 40 x 50 cm, Photography by Max Creasy, 2011.

Danger Box, Yoko Ono, 1971.

WARNING. The management will not guarantee that a hand put in this hole will come out in the same condition as prior to the entry.

Not to Be Reproduced, Oil on canvas, 81.3 cm × 65 cm, Rene Magritte, 1937.

Untitled, Mixed Media, Rachel Whiteread, 41.5n x 29.5 cm, 2013.

Double, Pigment print on Hahnemuehle matte paper.Dimensions: 25.4 x 30.5 cm, Roni Horn, 2011.

Edition of 40 prints, signed and numbered on the front.Produced by David Adamson, Washington. As is traditional in editions publishing, prices will rise as an edition starts to sell out. Please contact Jo Melvin at mailorder@whitechapelgallery.org should you require assistance purchasing this edition.

Loose Fit 1 (Large/Black), Pigment print on Somerset Enhanced Radiant White Satin 330gsm, with silkscreen glaze, Angela de la Cruz, 1999 (2014).

The limited edition Loose Fit 1 (Large/Black), 1999, 2015 was produced for Whitechapel Gallery to accompany her work included in the exhibition: Adventures of the Black Square: Abstract Art and Society, 1915 – 2015, 15 January – March, 2015

Adventures of the Black Square: Abstract Art and Society 1915–2015.

Edited by Iwona Blazwick and Magnus Af Petersens With essays by Tanya Barson, Briony Fer, Jiang Jiehong and Tom McDonough Exploring how the universal visual language of geometric abstraction relates to society and politics, Adventures of the Black Square traces a century of abstract art from 1915 to the present day, encompassing sculpture, film, photography, […]

Hunger, Michelangelo Pistoletto, 1988.

Don´t Mond, alabaster, silk, clay, aluminium, steel 185 x 112 x 105 cm, Anne Imhof, 2013.

Installation view Pilar Corrias, London UK.