Haniwa, literally “clay cylinders,” at times numbering in the thousands, were placed in rows at the base of the mounds and scattered on their crests or sloping sides. Sometimes the clay cylinders were topped with figures or animals. This infant boar shows the variety and range of expression achieved by the makers of haniwa. Although […]
In spite of its modest size, this flask in the shape of a mango, adorned with gold, gems, and enameling, eloquently demonstrates the artistic standards and tastes of seventeenth-century Mughal India. Likely to have been created during the reign of Shah Jahan, the emperor who built the famous Taj Mahal, the flask expresses the Mughal […]
Sturdy, monumental, artfully rounded, richly adorned, and so weighty and well balanced that it could hardly be overturned, this dignified and useful inkpot can be seen as a poetic visual symbol of the empire inherited by Jahangir. If his father, Akbar, commissioned works of art as elements of a dynamic imperial vision, the son did […]
This rectangular panel, representing the entire decorated area of a floor, was found in 1937 in part of a Roman villa excavated at Daphne, a summer resort near the ancient city of Antioch (in southern Turkey). The central emblem contains the bust of a female figure, probably a generic personification of abundance and good living. […]
Ldn17 is a visual diary that celebrates the intimate experience of traveling. The booklet merges photographs of Dalston and Shoreditch, London followed by lyrics of various hip hop artists – music listened during its documentation. The project is followed by a public playlist on Spotify.
Useless from Masculin Féminin series, analog photography, Tokyo, 2015. Edition of 10. Masculin, féminin is an unstaged documentation of marginal and shabby findings with a note of domestic intimacy and nostalgia. It dwells with curiosity and wonders about what lies beneath the explicit truth in ordinary life. The title is a provocation to gender classification […]