Emmanuelle Alt, Photography by Jonathan Frantini, 2014.

Begging Hand Brooch, Casting brass, smoothed and vashished, 4 x 2 cm, Design by Duoh, 2014.

Doorstop, Luigi Caccia Dominioni, Azucena, 1948.

Doorstops, Luigi Caccia Dominioni, Bigelli Marmi.

Rory Van Millingen.

roryvanmillingen.com

Damir Doma, Fondazione Pitti Discovery, Art direction & design by Meiré und Meiré, 2013.

Walking Sticks, Silver 925, Carbon Fiber, Design by Lella & Massimo Vignelli, 2006.

Thom Atkinson’s Photography, Installation by Shaz Madani for The Wellcome Trust.

Grotta Series, Photography by Francesca Ferrari, 2014.

Marni, SS15.

Magdalena, Photography by Francesca Gardini, 2014.

Swatches Series, Photography by Samantha Friend, 2014.

Through exploring a particular patch or area of a material or surface, this ongoing series of environmental samples investigates the contemporary state of New York’s zoos in their unique, and vast exterior.

Hoods, Photography by Samantha Friend (Samiga), 2013.

Whistles AW14 Womenswear Campaign, 2014.

Dust Magazine, Christian Dior AW14 clothing, Styling by Mauricio Nardi, Photography by Bruna Kazinoti, 2014.

Aiezen, 2014.

Simplicity is the most complex form of expression. Aiezen personifies this expression through a luxurious mix of cashmere and silk knitwear combined with exclusive jersey pieces, creating an aesthetic that is strong, ordered and pure. Clean lines and simple shapes are executed in a precise colour palette that moves luxury products into a more conscious and […]

Le Petit Echo de la Mode No. 23, 54.7 (h) x 37.6 (w) cm, Hormazd Narielwalla, 2013.

Hormazd Narielwalla uses bespoke tailoring patterns from a variety of sources to create these intricate collages. Reading each pattern’s web of lines, dots and numbers as complex traces of the human body, Narielwalla is heavily influenced by cubism and abstraction Material: acetate and colour tissue paper cut-out collage on original domestic French tailoring pattern supplement […]

Earrings, Design by Delfina Delettrez for Kenzo, FW13.

Jeanne Moreau, Eva (scene), Film by Joseph Losey, 1962.

Jean-Paul Belmondo and Jean Seberg on the bed in Rm. 12 at the Hotel Suede, À Bout de Souffle (scene), 1959.

Jean-Pierre Léaud, The 400 Blows (scene), Film by François Truffaut, 1959.

This Photograph is My Proof, Duane Michals, 1974.

Guinevere van Seenus, Jil Sander, Photography by Craig McDean, Spring-Summer, 1996.

Incubus, Alkyd paint on Formica, 2389 x 3846 mm, Garry Hume, 1991.

ncubus is a large, glossy pink painting on five, closely abutting Formica panels. The panels were cut to measurements taken from hospital doors. They are configured to suggest the outline of three, adjacent, life-sized doors. Paler pink, rectangular areas stand out from the background darker pink, delineating panels within the doors. Ridges of paint at […]