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Bill Cunningham and Antonio Lopez, New York City, 1978.
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Ed Ruscha.
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Invite, Louis Vuitton, Spring Summer 2020, 2019.
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Sky’s the limit, Photography by Jamie Hawkesworth for WSJ Magazine, 2018.
Shirts hanging out to dry at a traditional home on Japan’s Teshima island.
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Untitled, The Pierhead (l’Embarcadère), Photography by Tom Wood, 1984.
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Nastassja Kinski, Faraway, So Close!, Directed by Wim Wenders, 1993.
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Color in Japan, Design by Yusaku Kamekura, 1964.
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Water glass and salt shaker, Photography by Ralph Gibson, 1975.
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Louisiana Cylinder, Photography by Jamie Hawkesworth, 2018.
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M le Monde, Photography Zoe Ghertner, 2019.
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Keanu Reeves and River Phoenix, My own private Idaho film still, Directed by Gus Van Sant, 1991.
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Marlon Brandon, The Men film still, Directed by Fred Zinnemann, 1950.
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Femme a nichons, a blue, white and yellow glazed ceramic vase, Georges Jouve, 1948.
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Children playing on the terrace, Photography René Burri, 40 x 50 cm, 1959.
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Unité d’Habitation de Marseille, Le Corbusier, 1952.
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In the evening there is feeling, Eve Fowler, 2014.
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Alain Delon, Photography by John S. Barrington, 1950s.c
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Björn Andrésen, Photography by David Bailey, 1971.
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Bridget’s Bardo, James Turrell at the Kunstmuseum, Wolfsburg, Germany, 2009.
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Louis XV, Designed by Miles Murray Sorrell FUEL, Photography Juergen Teller, 23.9 x 29.9 cm, 2005.
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Tokyo Leftovers, Photography by Bibi Yamamoto, 2018.
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Eros Torso, Oliver Sundqvist and Frederik Nystrup-Larsen, 2018.
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Still from Ribbons, digital animation with sound, 13 minutes, 18 seconds, Ed Atkins, 2014.
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Afriqya: Night Chant, Earth from site near Ait Ben Haddou, Morocco, paper, gypsum, Michelle Stuart, 1983.