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Homes, Photography by Harley Weir, Calais, 2016.
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To The Antarctic series, Photography by Jamie Hawkesworth, 2021.
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Yohji Yamamoto photographed trying to surf for the first time, Yohji Yamamoto photographed trying to surf for the first time, 90s.
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Untitled, Harley Weir, Israel, 2013.
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Tombée du ciel, Yosra Mojtahedi, 2017.
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Time Vessels 01, Ceramic vessel, Yuko Nishikawa, 2017.
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Jenny Saville’s studio, Palermo, 2018.
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Untitled, Acrylic on canvas, Installation dimensions variable, Sam Gilliam, 1969.
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Vessel, Theaster Gates, 2020.
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Black Vessel, Theaster Gates, 2020.
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Canicule, Citè de la Maladrerie, Aubervilliers, Paris Nord (93), Photography by Maciek Pozoga, 2019.
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All the statues sing protest songs, Peter De Potter, 2017.
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Ayahuaska vision, Watercolor by Suzanne Treister, 2014.
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Diane Vavra and Chet Baker, Photography by Michiel Hendryckx, Belgium, 1988.
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Chair, Isamu Noguchi, 1944.
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Isamu Noguchi as a child in Japan, with his mother Léonie Gilmour and her pupils, 1910.
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Contrapposto Studies, i through vii, Bruce Nauman, 2015-20016.
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Have you seen my language, Matt Keegan, 2016.
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Maintainers A, Pigmented wax over styrofoam, cast aluminum, and painted aluminum clamp with cork, Nairy Baghramain, 2018.
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Fading Field, Elena Damiani, 2012.
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As long as it lasts, Glass bats, Gustav van Treeck in collaboration with Kostas Murkudis, 2012.
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Photo books, 9, Larry Clark and Gus van Sant.
“Larry Clark. Fotografier”(1986). “Partial to home. Photographs by Birney Imes” (1994). “Tulsa” (2000) mint condition/unwrapped. “The perfect childhood” (1995). “Kids” (1995). “Teenage Lust” (1981). “Journal of Contemporary Art” (1992). “Gus Van Sant. 108 Portraits” (1992). “Larry Clark. Groeninger Museum” (1999).
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Still Life with Cake, Raphelle Peale, 1818.
This typical still life by Raphaelle Peale, the son of Charles Willson Peale, may have been the picture exhibited in 1819 at the Pennsylvania Academy of the Fine Arts as “Still Life—Wine, Cakes, Grapes, &c.” A similar picture dating from the same year is in the Detroit Institute of Arts. Peale’s tightly grouped still lifes […]
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Willi Smith in his New York office, designed by the architecture and environmental arts studio SITE, 1982.