Edward II Poster, Photo-offset lithograph on paper, 97.8 x 68.3 cm, Design by Henryk Tomaszewski, 1986.

Romancing Reality, SS15 Phillip Lim Campaign, Photography by Viviane Sassen, 2015.

Ametsuch Series, Photography by Rinko Kawauchi, 2012.

Untitled, Silver gelatin print, 40 x 50 cm, Photography by Max Creasy, 2011.

Dahlem Chair Mock-up, Konstantin Grcic, Arflex Japan, 2014.

De Stijl, Year VI, N° 12, 245 × 185mm, Design by Mondrian and Van Doesburg, 1925.

Armchair, Design by Ko Verzuu, 1934.

Bottleware for Coca-Cola, Recycled Glass, Design by Nendo & Coca-Cola, Aomori, Japan, 2012.

Coca-Cola’s “contour bottle” has been a brand icon since its inception in 1916. Entirely recyclable, the bottle can be collected, washed and refilled after each use. Nendo’s collection of bowls and dishes is made from bottles exhausted by extensive recycling. Captivated by the fine air bubbles and distortions, a hallmark of recycled glass, Nendo decided […]

Cabinet for Bub Yoshino, Stainless steel, mirrored glass, Design by Shiro Kuramata, 1976.

This cabinet was utilized on the top floor of Bub Yoshino which housed a small, private room reserved for important clients. The cabinet features a mirrored glass side, one door concealing shelf, two drawers and a separate rolling a cabinet that pulls away from the large cabinet featuring two drawers and removable box. Sold with […]

Alain Delon & Monica Vitti, L’eclissi, 1962.

Danger Box, Yoko Ono, 1971.

WARNING. The management will not guarantee that a hand put in this hole will come out in the same condition as prior to the entry.

ot to Be Reproduced, Oil on canvas, 81.3 cm × 65 cm, Rene Magritte, 1937.

Bola armchair with black iron frame and leather seat and back with lace-up detailing, Designed by Lina Bo Bardi, Brazil, 1951.

Desk, Teak & leather, Pierre Jeanneret, 71 × 121.5 × 83 cm, 1952-56.

Untitled, Mixed Media, Rachel Whiteread, 41.5n x 29.5 cm, 2013.

Double, Pigment print on Hahnemuehle matte paper.Dimensions: 25.4 x 30.5 cm, Roni Horn, 2011.

Edition of 40 prints, signed and numbered on the front.Produced by David Adamson, Washington. As is traditional in editions publishing, prices will rise as an edition starts to sell out. Please contact Jo Melvin at mailorder@whitechapelgallery.org should you require assistance purchasing this edition.

Loose Fit 1 (Large/Black), Pigment print on Somerset Enhanced Radiant White Satin 330gsm, with silkscreen glaze, Angela de la Cruz, 1999 (2014).

The limited edition Loose Fit 1 (Large/Black), 1999, 2015 was produced for Whitechapel Gallery to accompany her work included in the exhibition: Adventures of the Black Square: Abstract Art and Society, 1915 – 2015, 15 January – March, 2015

Adventures of the Black Square: Abstract Art and Society 1915–2015.

Edited by Iwona Blazwick and Magnus Af Petersens With essays by Tanya Barson, Briony Fer, Jiang Jiehong and Tom McDonough Exploring how the universal visual language of geometric abstraction relates to society and politics, Adventures of the Black Square traces a century of abstract art from 1915 to the present day, encompassing sculpture, film, photography, […]

Hunger, Michelangelo Pistoletto, 1988.

Don´t Mond, alabaster, silk, clay, aluminium, steel 185 x 112 x 105 cm, Anne Imhof, 2013.

Installation view Pilar Corrias, London UK.

Turf Sculpture, Richard Long, 23 x 23 cm, 1967.

Mapping It Out: An Alternative Atlas of Contemporary Cartographies, Edited by Hans Ulrich Obrist, with a Foreword by Tom McCarthy, 2010.

Over 130 of the world’s most creative minds make sense of our exterior and interior worlds through intriguing and imaginative maps of their own devising. Imaginative, visionary and richly absorbing, this book will appeal to anyone interested in how we visualize our worlds, physical or abstract, real or imagined. Whether they chart a newly discovered […]

Toaster, Screenprint, lithograph and polyester on paper, 79 x 59 cm, Richard Hamilton, 1967.

Global warning, Glass, driftwood, lacquer (yellow) 48.5 x 42 x 6 cm, Olafur Eliasson, 2013.

Edition of 12 + 2 AP