Second Hand Clothes, Gelatin-silver print,115×115cm, Photography by Yuki Onodera, 1994.

Tights 1, Silver gelatin print, Photography by Daido Moriyama, 1987.

Composite (chair and brick), 70 × 56 × 62 cm, Photography by Jiro Takamatsu, 1972.

In My Room, Photography by Ryudai Takano, 2000.

Niida, Akita, Photograhy by Ihei Kimura, 1952.

Oh My God! I miss you, Synthetic polymer paint and pencil on printed paper, 50.8 x 36.2 cm, Yoshitomo Nara, 2001.

Bau Series, 11 × 8.5 × 2.5 cm, Takashi Suzuki, 2010-2014.

Eva Berendes.

Horse Play, Yayoi Kusama, 1967.

Giorgio Morandi in his Atelier, Photography by Herbert List, Magnum Photos, 1953.

Ib and Her Husband, Oil on Canvas, 168.3 x 146.7 cm, Lucian Freud, 1992.

Leather Sling T-Chair, W. Katavolos, R. Littell and D. Kelly, Laverne International, 1952.

Untitled, Installation by Marlo Pascual, 2009.

Retrospective Patern, Painted surface, 95×105 cm, Troels Sandegård, Esbjerg Kunstmuseum, 2010.

This project seeks to identify the more entropiske developing the architectural framework of the exhibition space. This shell contain a complex pattern of previous names signwrited which collectively provide a retrospective overview. Each pattern is determined by laboriously free scraping and each layer becomes a “swath” of previous designs. Together they form a mosaic of […]

Respiration Wall Piece, Mixed Media, 120 x 80 x 12 cm, Troels Sandegård, 2013.

Low Profile, Design by Matteo Beraldi, Photography by Francesca Ferrari, 2014.

Haavard Kleppe for SSAW Magazine, Photography by Bruna Kazinoti, Styling by Tuomas Laitinen, 2014.

Incomplete Open Cube No.5-6, Paint on Aluminum, 108 x 108 x 108 cm, Sol Lewitt, 1974.

Sun-shutter, Aluminum, 260 x 326 x 12 cm, Design by Jean Prouvé, 1957.

Blackboard, 70 × 140 × 11.5 cm, Le Corbusier, 1956-59.

Anauco Aalto, aluminium bars, steel allen screws, cow leather, Design by Bernardo Mazzei, 2011.

Mushroom Blown glass, Design by Félicie Eymard Ericsdóttir, 2014.

Project created for Durobor, a Belgian firm that has produced glassware for almost a century. One mould is used for three different glasses: small, medium, large. The shape makes it easier to handle the glasses. This project (as well as OKSA and MOBILES) gave ma the chance to win the Furniture design Award of Mad […]

Walter Richard Sickert’s Painting Jacket, Trousers and Bag, 1912.

Pikin Slee, Photography by Viviane Sassen, 2014.

Known for her unique approach to fashion photography, Viviane Sassen has taken yet another stylistic detour in her latest collection, which focuses on the inhabitants of a remote village on the Upper Suriname River. Largely shot in black and white, the informal photos explore Sassen’s personal connection to the village, which is inhabited by the […]