A Corner of Mondrian’s Studio with Bed, Stool, Curtain, and Mirrors, Gelatin silver print, Photography by André Kertész, 1926.

Female Figure (Tetepeku), Wood, paint, Sculpture, 108 x 58.4 x 17.8 cm, 19th–early 20th century.

The complex male initiation cycle of the Abelam people is restricted to men. However, its sacred spaces and sculptures are often suffused with female symbolism and imagery. In the highest initiation rites, tetepeku, slender female images with long legs spread wide, are erected inside the men’s ceremonial house above the main entrance and the entrances […]

Susan Sontag, Paris, 1972.

Scuola Navale Francesco Morosini, Photography by Jonathan Frantini, Alla Carta N.7, 2016.

Céline Pre-Fall 2016.

Ligne 12 Collection de Joiallerie, Maison Margiela, 2016.

Petal Heel Pump in Yellow Kidskin, Céline Pre-Fall, 2016.

Céline Pre-Fall 2016 Campaign, Photography by Zoe Ghertner, 2016.

New Hoover Quik Broom, New Hoover Celebrity IV, Jeff Koons, 1980.

Fragmentary colossal head of a youth, Marble, Hellenistic Greece, 2nd century B.C.

Dish with figure, Porcelain with underglaze blue (Hizen ware, early Imari type), Japan, 1620 c.

Vilaggio Laguna, Photography by Francesca Gardini, Lacuna/ae Project, 2016.

www.lacunaeproject.com

Manners, site-specific sculpture, Nicole Wermers, Tate Britain, London, UK, 2013.

It’s time for activism, Wolfgang Tillmans, 2016.

Dear Friends, I’m sure you are also following with horror the rightwards drift and anti-EU sentiment brewing across Europe. The Dutch referendum should be the final wake-up call, alerting people to the real risk of the UK’s EU referendum resulting in a victory for Leave. The official ‘Remain’ campaign feels lame and is lacking in […]

Infrastruktur, Nicole Wermers, Herald St., 2015.

Flow and Boundaries, Performance by Caterina Gobbi, Mount Morrone, Braemar, Scotland, 2015.

Native american tribes considered the wind a person that took care of the earth at it’s beginnings. Invisible but at the same time present element, we can only perceive it’s consequences. I have chosen to completely expose my body to this natural force, to its effects. I have overlapped to my skin a piece of […]

God’s Wife Tagerem, Ptolemaic Dynasty, Limestone, Egypt, 300–250 B.C.

Prince, 1958 – 2016.

The Unanswered Question, Megan Francis Sullivan, Kunsthalle Bern, 2016.

Butterfly stool, Sori Yanagi, 1954.

Magnetica, Design by Vittorio Venezia, Photography by Francesca Ferrari, LUCE5, 2016.

Bronzification, Bronze, Design by Francesco Faccin, Fonderia Artistica Battaglia, 2016.

Extention I, Oil on Linen, 50 x 40 cm, Manuele Cerutti, 2016.

Chihiro Ichinose.