Kenny Burrell & John Coltrane cover artwork, Prestige Records, 1958.

Paper drop Prinzessinnenstrasse, Wolfgang Tillmans, 2014.

Daria Halprin and Mark Frechette, Zabriskie Point by Michelangelo Antonioni, 1970.

Women Geographies exhibition, Bronze Sculpture, Bibi Yamamoto, 2017.

Eclipsed, Brian Eno, Etching on Velin Arches 400gsm with deckled edges, 2016.

Constantin Brancusi, Paris, 1917.

Miles Davis, Photography by Tom Palumbo, 1955.

Nine objects, Photography by Joel Meyerowitz, 2013.

Longnook beach, Photography by Joel Meyerowitz, 1984.

Camel Coats, Photography by Joel Meyerowitz, New York City, 1975.

Billie Holiday, Photography by Jean-Pierre Leloir, France, 1958.

Goblet with Incised Designs, Glass attributed to probably Iraq or Syria, 8th–9th century.

Inkwell, Glazed earthenware, Design by Eva Zeisel, 1929-30.

Chet Baker, Photography by Bob Willoughby, 1953.

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), 1499–1514.

The Accommodations of Desire, Oil and cut-and-pasted printed paper on cardboard, Salvador Dalì, 1929.

The Spanish-born artist Salvador Dalí was officially allied with Surrealism from 1929 to 1941, and even afterward his work continued to reflect the influence of Surrealist thought and methodology. His flamboyance, flair for drama and self-promotion, and hyperactive imagination reinvigorated the movement and its public popularity. Dalí, who was given to hallucinations and paranoiac visions, […]

Contes Immoraux, Poster, 1974.

Forest Bed Blanket, Photography by Collier Schorr, 2001.

Julien Sabaud in “Release Your Stress”, Photography by Collier Schorr, i-D Magazine, 2008.

Sophie Calle.

Portraits of young offenders used as targets during the training of police officers in the city of M., US

Jazz exhibition poster, Henri Matisse, 1947.

Edward James in Front of On the Threshold of Liberty, Gelatin silver print by René Magritte, 1937.

Sculpture by Haniwa Boar, Kofun period, Japan, ca. 5th c.

Haniwa, literally “clay cylinders,” at times numbering in the thousands, were placed in rows at the base of the mounds and scattered on their crests or sloping sides. Sometimes the clay cylinders were topped with figures or animals. This infant boar shows the variety and range of expression achieved by the makers of haniwa. Although […]

Constantin Brancusi in his studio at 11 impasse Ronsin, Paris, Photo by Man Ray, 1930.